Atomos ATOMSHGIN2 Shogun 7

Description

Needing a monitor that is sturdy, ready to go, and able to keep on a film set? The Atomos Shogun 7 in. monitor is for you! It can record ProRes RAW up to 5.7K resolution, live switching capabilities, the 1500 nits HDR display can show you up to 15 stops of dynamic range, and more! The Atomos Shogun 7 in. monitor is a great asset for your camera gear to ensure the best picture.
Condition:
Used, Like New
Dimensions (W x H x D mm)
214 x 127 x 45
Weight
709g / 25oz.
Mount points
1 x Anti rotation 1/4" / 3/8 top and bottom
Environmental
Ambient operating temperature
Up to 40° C
Construction and Control
Body
Polycarbonate ABS Plastic
Cooling
Actively controlled fan and Heat Sink
Tally light
Rear and front
Multi-function button
Power / lock Screen
Power
Input voltage
6.2V to 16.8V
Operating power
10 - 33W
Compatible batteries
NPF L series
Built in battery
No
Battery Run time (Record)
5200mAh - up to 1.5hrs (monitor & record 4K 30p) / 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
Continuous power
Dual battery slots
DC in connector
DC jack 2.1mm
Dtap
Via optional DTap to DC cable
Display
Touchscreen
SuperAtom IPS panel (capacitive touch)
Size
7.2"
Resolution
1920 x 1200
PPI
327
Bit depth
10-bit (8+2 FRC)
Backlight Type
Dynamic zoned back light, Dynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cdm2 / nits)
1500 / 3000 Peak HDR brightness
Aspect ratio
1 :9
Color Gamut
DCI-P3 (D65)
Calibration support
Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut
BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
.Cube Format
3D LUT Down Stream
Loop out
3DLUT 50/50
Yes
Monitoring Modes
Native / HLG / PQ / 3D LUT
HDR output Conversion
No
Video Input
HDMI
1 x HDMI (2.0) 4k p60
SDI
Quad link 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
SDI RAW
Apple ProRes RAW up to 6k
Bit Depth
8/10Bit Video / RAW up to 16Bit
Video Chroma Subsampling
4:2:2
Metadata
HDMI
RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI
File Name from Arri, RED
Video Output
HDMI
1 x HDMI (2.0) 4k p60
SDI loop out
1 x 2 x 12G SDI Backwards compatible Auto detection
SDI Play out
2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling
422
Bit Depth
10Bit Video
Web Streaming
USB UVC
Optional via Connect 4k
Video Signal Conversion
HDMI to SDI
Yes - Video and RAW
SDI to HDMI
Yes - Video and RAW
Audio In/Out
Audio Quality
24/48kHz
Audio Codec
PCM
HDMI
8ch 24Bit, input dependent
SDI
12ch 24Bit, input dependent
Analogue Audio in
XLR via Optional Break out cable
Analogue Audio Out
XLR via Optional Break out cable
Headphone out
3.5mm 2ch.
Timecode / Sync
Embedded
HDMI and SDI
Time of day
Yes, Time and Date
LTC
LTC via BNC input in Record mode
Genlock
GenLock in Playback mode
Resolution and Frame Rates (Record, Monitor & Playback)
6k
RAW Only up to 30p via SDI Only
4k DCI
23.98/24/25/29.9/30/50/59.94/60p
4k UHD
23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080
2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
FHD 1920 x 1080 Progressive
23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF
Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced
23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p
50/59.94/60p
Recording CODEC
CDNG
For SDI RAW inputs Only
Apple ProRes RAW
ProRes RAW, HQ
Apple ProRes
LT, 422, 422HQ
Avid DNxHD
DNxHD 220x,220,145,36
Avid DNxHR
LB, SQ, HQ, HQX.
Playback
Playlist
Yes, Create customer play lists from full or sub clips
Loop
Yes, with user customisable in / out markers
Apple ProRes Raw
Yes, recorded clips
Apple ProRes
Yes, with Linear PCM audio
Avid DNx
Yes, with Linear PCM audio
Recording functions
Pre-roll record
Yes (HD 8s, 4K 2s) - Not available in RAW
ISO Record
Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Switched Program Record
Yes Up to 1080p 60
Multi Input / Switching
SDI A/B toggle
Yes, Up support up to 12G SDI per input
Dual Input display
Via Multi ISO input mode
Multiple SDI input
Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions
Auto or manual XML transition
Supported media
Master Caddy I
Not compatible
SSDmini
Yes with optional SSDmini handle
CFast II
Supported cards via optional AtomX CFast Adapter
File Naming
Unit Name - Scene/Shot/Take, Arri & RED via SDI
File System
ExFAT
On screen tools
Waveform
Yes, 3 size / Position
RGB parade
Yes, 3 size / Position
Vector scope
Yes, 2 size / Position
1 x Zoom
Yes. 1:1 Pixel mapping for 4k
2 x Zoom
Yes
Focus peaking
Colour selected / threshold setting / colour/ Mono / edges only
False colour
Yes, with Scale
Zebra
Yes, Adjustable
Isolate color channel
Blue Only
Cine Frame Guides
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides
9:16, 1:1, 191:1, 4:5
Safe areas
Action and Graphic
Grid markers
9 grid
Anamorphic desqueeze
1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip
Vertical Only
Onboard Signal Processing
Pulldown Removal
24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
4K UHD Downscale for HD
Loop out - 4K UHD to FHD
DCI Crop
Loop out - 17:9 to 16:9 Crop
Remote control
HDMI
Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard
SDI
SDI trigger camera selectable
Serial 2.5mm Jack
LANC control and calibration viaoptional USB to serial cable
External Device Control
Supported Applications
XML
Cut tag EDL and Multicam with transitions in FCP XML
Apple ProRes RAW
Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
Video Codecs
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper